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Calls for Submissions

Drunken Boat seeks work for a special section: Librotraficante and the New Latino Renaissance.

In solidarity with the Librotraficante movement, sparked by Arizona’s HB2281 and the Tucson Unified School District’s resulting ban of Mexican American Studies, Drunken Boat seeks work by creators of fiction, nonfiction, poetry, spoken word, and experimental/mixed media that honors our country’s Latino heritage. The portfolio embraces quantum demographics, which, in the words of Librotraficante founder Tony Diaz, “pinpoint and celebrate the bridges that already exist between us.” Submissions will be considered through this lens of cultural intersection as it pertains to the New Latino Renaissance. Submit

Drunken Boat seeks poems that engage with debt: the friction between desire and limits, the intersection of ownership and obligation.

Poems need not be limited to the political. Special attention will be given to work that considers form when exploring this theme. Limit three poems. Submit

Click here for more details.

Radha Says

The final collection by award-winning poet Reetika Vazirani, published by Drunken Boat.

Excerpt | Purchase | Review

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Right now, I’m in the middle of way too many books… I’m reading Witold Rybczynski’s Looking Around, a great collection of short essays about looking at architecture. I just finished Rybczynski’s Makeshift Metropolis, his book on urban planning. He’s a great writer for anybody with a lay-interest in architecture. Along the same lines, I’m reading Ways of Seeing by John Berger—I’ve been interested in non-fiction about other art forms—architecture, photography, painting, etc.—mostly to see what, as a writer, I can learn from people thinking and writing about visual art. I just picked up Julio Cortazar’s From the Observatory, a really beautiful book combining Cortazar’s photographs of an abandoned observatory with writing that is, so far, the strangest Cortazar I’ve read. I try to think about everything I read as research for the novel I’m working on, even though the only thing I’m reading right now that really counts toward that is V.S. Ramachandran’s The Tell-Tale Brain. One of the characters in my novel-in-progress has synesthesia, so I’m reading Ramachandran’s book about his research into synesthesia (and, more generally, the way our brains work). I’m also reading Virginia Woolf’s A Writer’s Diary, an interesting, and often humorous, collection of Woolf’s journal entries on writing (and reading).

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Published Jan 26, 2012 - Comments Off

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