Sponsors

Donate

Without your support, Drunken Boat could not exist.

Please donate today.

Calls for Submissions

Drunken Boat seeks work for a special section: Librotraficante and the New Latino Renaissance.

In solidarity with the Librotraficante movement, sparked by Arizona’s HB2281 and the Tucson Unified School District’s resulting ban of Mexican American Studies, Drunken Boat seeks work by creators of fiction, nonfiction, poetry, spoken word, and experimental/mixed media that honors our country’s Latino heritage. The portfolio embraces quantum demographics, which, in the words of Librotraficante founder Tony Diaz, “pinpoint and celebrate the bridges that already exist between us.” Submissions will be considered through this lens of cultural intersection as it pertains to the New Latino Renaissance. Submit

Drunken Boat seeks poems that engage with debt: the friction between desire and limits, the intersection of ownership and obligation.

Poems need not be limited to the political. Special attention will be given to work that considers form when exploring this theme. Limit three poems. Submit

Click here for more details.

Radha Says

The final collection by award-winning poet Reetika Vazirani, published by Drunken Boat.

Excerpt | Purchase | Review

Follow drunken_boat on Twitter


Search

Subscribe to DB

First Name
Last Name
Email
Confirm your email address
Preferred format for emails:
Text HTML

Panliterary Award-Winner Kat Meads has a new book coming out, When The Dust Finally Settles, from Ravenna Press.

In The Invented Life of Kitty Duncan, Kat Meads created a 1950s-era Scarlett O’Hara in eastern North Carolina. Now, in when the dust finally settles, she speaks through Faulknerian voices as white and black members of her small eastern North Carolina community desegregate the schools in the 1960s. Meads’s Clarence Carter, speaking from the dead, provides a surprisingly upbeat (and humorous) perspective on the events unfolding in the community he has not yet quite left. The other voices, young and old, share Clarence’s openness to change—a refreshingly different Southern story.
—Dr. Margaret D. Bauer, Rives Chair of Southern Literature, East Carolina University; Editor, North Carolina Literary Review

Preview some of Kat’s writing in DB#8, “On Fighting the Temptation to Fictionalize Marina Oswald ”.

Bookmark and Share

Published Sep 07, 2011 - Comments Off

No Comments

No comments yet.

RSS feed for comments on this post.

Sorry, the comment form is closed at this time.