Today, we see the world we live in as an inviable world, and yet a world poised for radical reconfiguration.
From global economic crises to pandemic panics to burgeoning forms of hatred and control to the ravaging of our earth, new borders and quarantines haunt and terrorize the world at stochastic levels of the global, nation-state, informatics, and the biological. Indeed, our world presents to us the seemingly complete commodification of life, culture, the body, the planet.
Yet, we find within these very inviabilities the kernels of potential to enact and push forward new ways,worlds, and lives.
In fact, we see many up-risings emerging everywhere: from the calls to action of militant groups like The Invisible Committee to the UC student protests to the insurrections of the Middle East to the digital activisims of WikiLeaks and Anonymous.
These all point toward living and existing in the world another way.
We see the SPECULATIVE as the uniting force in our artwork that conjures forth the potential of the world we want, in political, cultural, social, sexual, technological, biological, economic, and ecological dimensions.
The SPECULATIVE is that imaginative, aesthetic work done by
the artist to create new possibilities, inspire change, gesture toward a livable future, and generate new tactics and methodologies.
The SPECULATIVE asks us to use our imagination politically.
The SPECULATIVE allows us to subvert reality; practice new types
of activism; work with the impossible as a political framework; rediscover the magic of our materials; question what a body and collective is capable of; locate new sexualities and perversities; reconfigure capitalism, design, and branding; create new worlds, peoples, species, and ecologies; find embodiments and other productive actions that emerge from war, apocalypses, disasters, and death; and build our dream utopias.