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Calls for Submissions

Drunken Boat seeks work for a special section: Librotraficante and the New Latino Renaissance.

In solidarity with the Librotraficante movement, sparked by Arizona’s HB2281 and the Tucson Unified School District’s resulting ban of Mexican American Studies, Drunken Boat seeks work by creators of fiction, nonfiction, poetry, spoken word, and experimental/mixed media that honors our country’s Latino heritage. The portfolio embraces quantum demographics, which, in the words of Librotraficante founder Tony Diaz, “pinpoint and celebrate the bridges that already exist between us.” Submissions will be considered through this lens of cultural intersection as it pertains to the New Latino Renaissance. Submit

Drunken Boat seeks poems that engage with debt: the friction between desire and limits, the intersection of ownership and obligation.

Poems need not be limited to the political. Special attention will be given to work that considers form when exploring this theme. Limit three poems. Submit

Click here for more details.

Radha Says

The final collection by award-winning poet Reetika Vazirani, published by Drunken Boat.

Excerpt | Purchase | Review

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Basho, On Love and Barley (tr., Lucien Styrk).   Always magic, always mixing worlds and worlds and worlds.

Donna de la Perriere, “First Love,” in Volt (http://www.voltpoetry.com/images/volt17_Perriere.pdf). A great new poem by a great poet.

Paul Hoover, desolation : souvenir.  A great book—one of the most beautiful (one of the wisest) books of poetry I have ever read.

Kathryn Pringle, Fault Tree.  If you’re worrying about the future of poetry, stop.

Nijole Miliauskaite (tr., Jonas Zdanys), four poems in The Vintage Book of Contemporary World Poetry (ed., J.D. McClatchey).  Miliauskaite’s poems are wonderful and absolutely necessary—I need to find more of her work right away.

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Published Nov 25, 2012 - Comments Off

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