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Calls for Submissions

Drunken Boat seeks work for a special section: Librotraficante and the New Latino Renaissance.

In solidarity with the Librotraficante movement, sparked by Arizona’s HB2281 and the Tucson Unified School District’s resulting ban of Mexican American Studies, Drunken Boat seeks work by creators of fiction, nonfiction, poetry, spoken word, and experimental/mixed media that honors our country’s Latino heritage. The portfolio embraces quantum demographics, which, in the words of Librotraficante founder Tony Diaz, “pinpoint and celebrate the bridges that already exist between us.” Submissions will be considered through this lens of cultural intersection as it pertains to the New Latino Renaissance. Submit

Drunken Boat seeks poems that engage with debt: the friction between desire and limits, the intersection of ownership and obligation.

Poems need not be limited to the political. Special attention will be given to work that considers form when exploring this theme. Limit three poems. Submit

Click here for more details.

Radha Says

The final collection by award-winning poet Reetika Vazirani, published by Drunken Boat.

Excerpt | Purchase | Review

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Open the City: Drunken Boat, online journal of the arts, along with the Asian American Writers’ Workshop, announce a call for works in a variety of media (poems, artworks, essays, photography, translations, architectural blueprints, videos, web work, mixed media, documentary, theatrical production) that respond to the question of Asian and Middle Eastern-American populations in urban spaces. These can take a particular city as point of departure, can verge to cities around the world, engaging with the notion of how the forces of displacement and accretion intersect to create identity in a particular environment. We envision Chinatown, Little India, mosques in metropolitan areas, ethnic groceries, foreign film theaters, etc. all as possible sites for investigation. Deadline TBA.

Click here to submit.

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Published May 16, 2011 - Comments Off

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