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Calls for Submissions

Drunken Boat seeks work for a special section: Librotraficante and the New Latino Renaissance.

In solidarity with the Librotraficante movement, sparked by Arizona’s HB2281 and the Tucson Unified School District’s resulting ban of Mexican American Studies, Drunken Boat seeks work by creators of fiction, nonfiction, poetry, spoken word, and experimental/mixed media that honors our country’s Latino heritage. The portfolio embraces quantum demographics, which, in the words of Librotraficante founder Tony Diaz, “pinpoint and celebrate the bridges that already exist between us.” Submissions will be considered through this lens of cultural intersection as it pertains to the New Latino Renaissance. Submit

Drunken Boat seeks poems that engage with debt: the friction between desire and limits, the intersection of ownership and obligation.

Poems need not be limited to the political. Special attention will be given to work that considers form when exploring this theme. Limit three poems. Submit

Click here for more details.

Radha Says

The final collection by award-winning poet Reetika Vazirani, published by Drunken Boat.

Excerpt | Purchase | Review

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The brilliant experimental poet Leslie Scalapino passed away two days ago, after a decades-long career of crafting devastatingly frank, beautiful, and sometimes longingly abstract poetry. The founder of O Books, a press that helped many emerging poets and writers to get their start, Leslie will have three books published this summer and fall from Litmus Press, Post-Apollo Press, and Chax Press, and Poets House in New York will stage her play Flow-Winged Crocodile June 19th and 20th. There will be a memorial event for her at St. Mark’s Poetry Project on Monday, June 21st.

Leslie Scalapino was one of the very first poets published in Drunken Boat, in our first issue. Her piece, excerpts from Tango stands out among that of the 11 poets included in that issue. Anyone who has not yet experienced Leslie’s poetic landscapes, should take the time to explore her works today.

Leslie Scalapino (1944-2010)

must ‘accept’ death of others.
—except them.
~Leslie Scalapino

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Published May 30, 2010 - Comments Off

The folks over at The Lantern Review recently interviewed DB’s own Tamiko Beyer as part of a series on poets and process. Tamiko discusses her homolinguistic translation of Ilya Kaminsky’s “The Craft.”

I think it was April. I was writing a poem a day and running out of ideas. I turned to Charles Bernstein’s Experiments and chose the first one: a “homolinguistic translation,” a translation from English to English. I chose to “translate” Ilya Kaminsky’s poem “A Toast” because I was obsessed with his book Dancing in Odessa and wanted to live in one of his poems for a while.

The result: a whole new realm of diction. And a tone of contemplative urgency from Kaminsky’s poem that infused itself into my own, even when I eventually let go of the constraint.

Click here to read more.

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Published May 30, 2010 - Comments Off

If you haven’t checked out ModCloth’s blog, ModLife, you’re missing out. Less literary and more pop-culture, they’re a great stop for trend-checking (don’t lie, you want to know if you should ditch the wingtip shoes). They recently gave us a very nice review, in their list of 7 online lit mags to check out. Also on the list, our friends over at Brevity and PANK.

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Published May 21, 2010 - Comments Off

Drunken Boat is now accepting submissions for its “First Peoples, Plural” folio, to debut in issue #13 this winter. We will be considering poetry, fiction, creative non-fiction, essays, visual art, sound art, video art, and web art by indigenous people worldwide. Our goal is to present a wide scope of work from a wide scope of people. Works might explore native identity and aesthetic (and their evolution), family, spirituality, sexuality, passing, othering, exoticism, and the media. Deadline: October 15th, 2010.

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Published May 20, 2010 - 1 Comment so far

I found myself needing to read many of the poems a third then fourth time before feeling confident I had read what Vazirani wrote. This exemplified the analysis of her poetry provided by Kazim Ali, who stated that each line can answer the line before it, stand on its own, or open the door for the line that follows.

Read the full review by Hannah Eason.

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Published May 15, 2010 - Comments Off

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